Authoritarianism in the Age of Digital Reproduction

How do people inhabit authoritarian images and how do they use them? And how do these dynamics transform in the digital age, when people have the power to download and disseminate propaganda with their phones always at hand?

Drawing of a hand holding a phone. On public transportation.

Photo: Colourbox

In this seminar, Moyukh Chatterjee discusses the ways in which Hindu nationalist activists and the wider public engage with state-sanctioned Hindu nationalist iconography, focusing on the relationship between the subaltern body and the authoritarian frame in India. While a range of media forms, including posters, television, and audio and video cassettes, have long been an integral part of the Hindu nationalist movement, Chatterjee suggests that the digital affords new ways for right-wing activists and the wider public to insert themselves into a state-sanctioned aesthetic regime. Using two examples – a right-wing propaganda film and the inauguration of the Ayodhya temple – Chatterjee shows how devalued and subaltern male bodies co-produce authoritarian consensus. More broadly, this talk is an invitation to think about authoritarianism beyond static binaries of production/reception and online/offline by returning to elementary encounters between the body and the image.

Moyukh Chatterjee is Lecturer in Social Anthropology at the University of Edinburgh.

Man with glasses
Moyukh Chatterjee. Photo: University of Edinburg.
Published Mar. 16, 2026 9:39 AM - Last modified Mar. 16, 2026 9:39 AM